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Size:
Medium.
Coat Length(s):
Short hair.
Body Type:
Moderate.
Grooming Requirement:
Little grooming needed.
Talkativeness:
Vocal.
Activity Level:
High.
Affection:
Very affectionate.
Usually Good With:
Adults, seniors, and children(6+).
Time Alone:
4 to 8 hours per day.
Attention:
Needs lots of attention.
Handling:
Can be a handful.
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| When the first Burmese, Wong Mau, arrived
in the United States, Siamese had rounder, heavier body styles than
today’s show Siamese and were similar to Wong Mau’s body type. Today,
the Siamese and Burmese have very dissimilar types due to selective
breeding. |
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The Burmese we know today developed from a single female cat named
Wong Mau who was brought to the United States in 1930 from Rangoon,
Burma (now called Yangon, Myanmar). A sailor gave the exotic feline
to Siamese breeder Dr. Joseph Thompson of San Francisco. Purportedly,
Wong-Mau was a small, fine-boned cat, walnut-brown with darker brown
points, but more compact than the Siamese
of the day with a rounded, short-muzzled
head and round eyes that were set far apart.
Thompson served as a U.S. Navy doctor for some years and had developed
a strong interest in Asia. He spent time in a monastery in Tibet
and became familiar with the shorthaired, solid brown cats in the
area. These felines, known as "copper cats" for their
rich brown color, have existed in Southeast Asia for centuries.
They were described and depicted in the ancient text The Cat-Book
Poems, written in the city of Ayudha, Siam (now Thailand) some
time between 1350 when the city was founded and 1767 when the city
was burned down by invaders.
Thompson was so taken with Wong Mau’s beauty and personality
that, with the help of like-minded breeders and geneticists, the
doctor began a carefully planned breeding program designed to isolate
Wong Mau’s distinguishing characteristics so he could reproduce
her type and color. Since no Adam had accompanied Thompson’s
Eve on the trip from Burma, Thompson bred Wong Mau to one of his
breeding Siamese males, a seal
point named Tai Mau. The resulting litter revealed that Wong
Mau herself carried a pointed
pattern gene, since some of the kittens in her litter were pointed
and the gene for the pointed pattern is recessive (both parents need to contribute the gene for the trait to be expressed in the physical appearance of the offspring). Thompson and
his team realized that Wong Mau was a Siamese hybrid—half
Siamese and half Burmese—because she didn’t breed true.
(Today, Wong Mau would be considered a Tonkinese,
but this hybrid breed would not be developed until decades later.)
The resulting kittens from matings between Wong Mau and Tai Mau
were bred to each other or crossed back to Wong Mau. After two generations,
Thompson identified three distinct color and pattern variations:
one variety looked like Wong Mau (medium brown with darker points),
the second like Tai Mau (seal point Siamese), and the third was
solid dark-chocolate brown. Thompson and his team decided the dark-chocolate
brown cats (called sable) were the most beautiful and striking,
and they set out to isolate the gene governing this color. The sable
cats were crossed with each other or back to Wong Mau, resulting
in three generations of Burmese (as Thompson named them) that bred
true and possessed what Thompson called the "dark color phase."
The points were darker in color, most noticeable in kittens and
less apparent in adults.
Since the Burmese in America began with just one cat, the gene
pool was extremely small. Three brown cats were imported from Rangoon
in 1941 to increase the gene pool, but most Burmese are descendants
of Wong Mau, since she was healthy and produced many litters. To
increase the limited breeding stock and to keep the gene pool healthy,
outcrossing
to Siamese continued in the 1930s and ’40s.
When Burmese cats were introduced into America’s show halls in
the late 1930s and early 1940s, they were an immediate hit. Despite
the hisses and yowls from Siamese breeders, who were afraid Burmese
would dilute their pure Siamese stock, most fanciers took to these
beautiful brown cats in a big way. In 1936, CFA accepted
the Burmese for registration, and with that legitimacy the popularity of the Burmese rose.
Demand was much greater than supply, and to increase the gene pool,
breeders continued to breed back to the Siamese, creating lots of
hybrids, which some breeders sold as pure Burmese. This caused confusion
over what constituted a pedigreed Burmese, and because of this CFA
suspended registration of the Burmese in 1947. CFA insisted that
three generations of Burmese-to-Burmese breeding was necessary for
cats to be registered as members of the breed. Since only three
North American cat associations existed at the time, to be excluded
from the largest was a major setback. Nevertheless, the dedicated
Burmese breeders got to work on the three generations needed to
regain their lost status. In 1953, CFA reinstated the Burmese for
registration, and in 1957 CFA granted championship status.
In 1958, the newly formed United Burmese Cat Fanciers decided that
to avoid problems in the future, they’d develop a single breed
standard—one that all breeders and cat associations would
use. Keep in mind that a breed standard is not a description of
a breed, but a goal for which to strive. Adopted in 1959, the
new standard added the words "somewhat compact" to the
description—an important change, since today’s Contemporary
Burmese are so compact they are called "bricks wrapped in silk."
Later, the word "somewhat" was dropped from the standard.
These changes indicated the move away from any hint of the Siamese
look, particularly since the Siamese was becoming a svelte
breed.
The actual look of the breed has changed over the years, achieving
the diversity and current appearance through years of selective breeding. Almost thirty years ago, two distinct head types
emerged: the Contemporary Burmese and the Traditional Burmese.
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Don’t buy a Burmese if you want a shy, reserved cat who
minds his own business. These heart and lap warmers are people-oriented
cats who form strong bonds with the humans who love them. Most play
host or hostess when visitors come to call.
Burmese are active entertainers who perform antics for your amusement
and theirs. Full of high spirits and friskiness as kittens and young
adults, they love to entertain and will execute daring leaps to
the top of the entertainment center or bookcase, pausing to make
sure their human audience is watching. If their antics go unnoticed—or
rudely ignored—they will materialize in available laps, demanding
undivided attention or else. A very determined breed, Burmese will
win almost any battle of wills. Burmese are more entertaining than
most shows on television, say fanciers, and you never have to break
for commercials. Burmese only go off the air for dinner time and
lap catnaps. They continue to be playful entertainers well into
adulthood and even old age.
Because of their heritage, the Burmese talk, but not as loudly
nor quite as much as their Siamese ancestors. They typically only
speak up when spoken to, or when they have something important to
tell you, which fanciers say is often. They use a variety of expressive,
raspy meows to get their messages across.
Although playful and spirited, they enjoy a good snooze in a warm
lap and caresses from loving hands. Burmese crave and thrive on
human attention—lots of it—and have a ready purr for
any human who provides it. Fanciers say Burmese are loving and devoted
Velcro® kitties who will stick by your side as though attached there.
A solitary Burmese is not a happy cat; members of this breed shouldn’t
be left alone for extended periods. They become unhappy or even
depressed if their people are away all day or night. If you’re
away for long periods, another companionable cat or a cat-friendly
dog will keep your Burmese company. If you have space for only one
cat and work full time, consider a breed that needs less attention.
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According to researchers, the skull changes that took place as
the Contemporary Burmese’s head became more extreme created health
problems in some cats, such as cranial deformities, excessive eye
tearing, and breathing problems due to the foreshortened nose. Buy
from a breeder who will give you a written health guarantee.
According to some fanciers, the Traditional Burmese and European
Burmese lack these physical problems because the head type is not
as extreme.
Burmese also can be prone to gingivitis. Feeding a high quality
tartar-control dry food will remove some of the tartar, but Burmese
should get a dental checkup with their yearly physical and professional
teeth cleanings as needed. If your Burmese needs it and will allow
it, brush your cat's teeth regularly with cat tooth paste and a
child's size tooth brush—ask your veterinarian for instructions.
Left untreated, gingivitis can lead to periodontal disease, which
can cause tissue, tooth, and bone loss, and can undermine your cat’s
health and affect his nervous system, kidneys, liver, and heart.
The Burmese’s sleek, glossy coat usually requires little care. However,
a once-a-week grooming session can reduce hairballs and fur on your
furniture, and can help you bond with your Burmese since they usually
enjoy the attention.
If you don’t plan to show, you may be able to save money by buying
a sable Bombay. Since Burmese are included in Bombay breeding programs,
a percentage of sables are born in Bombay litters, but can’t be
shown as either Bombays or Burmese in some associations such as
CFA. They have the same loving personality and nearly the same appearance
as the Burmese.
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The Burmese is one of a number of purebred breeds that have several
recognized varieties. Keeping them straight requires a bit of homework.
The Contemporary Burmese is usually the type you'll see in the champion
ring at shows. Medium in size, the Contemporary is powerful with
a compact appearance, an ample, rounded chest, and a level back
from shoulder to tail. The breed has substantial bone structure,
good muscular development, and a surprising weight for its size.
The legs are relatively short but in proportion to the body, and
end with rounded paws. The tail is straight and medium in length.
Adult males weigh 8 to 12 pounds; adult females weigh 6 to 10 pounds.
No outcrosses
are allowed.
The head is pleasingly rounded without flat planes, whether viewed
from the front or side. The face is full with considerable breadth
between the eyes, and blends gently into a broad, short, well-developed
muzzle that maintains the rounded contours of the head. In profile
a visible nose break can be seen. The chin is firm and rounded,
reflecting a proper bite, and the neck is well-developed. The medium-size
ears are rounded at the tips, broad at the base, and set well apart.
They tilt slightly forward, contributing to an alert appearance.
The eyes are large and set far apart, with a rounded aperture.
The coat is short and very close-lying with a fine, glossy, satin-like
texture. The Contemporary Burmese is universally accepted in four
solid colors: sable, champagne, blue, and platinum, although some
associations, such as TICA, accept additional colors.
The Traditional Burmese is also a sturdy, muscular cat with substantial
bone structure. The most distinctive difference is the head. The
face is not as foreshortened as the Contemporary; instead, the head
is rounded with an apple-like skull tapering toward a broad, squared,
well-developed prominent nose and muzzle. Some fanciers say this
head type more closely resembles earlier examples of the breed.
TCA
is the only association that has accepted a standard specifically
for the Traditional Burmese. Founded in 1987, TCA strives to preserve
cat breeds whose body and head types have given way to more extreme
forms. However, members of TCA are not the only ones who promote
the Traditional Burmese. According to Traditional Burmese fanciers,
this is a healthy, hardy cat who lacks the physical problems inherent
in the head conformation of Contemporary Burmese. Whether you prefer
the appearance of the Traditional or the Contemporary, both have
wonderful personalities.
A third type exists: see European Burmese.
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Photo copyright (c) 2006 Chanan Photography. All rights reserved. Text copyright (c) 2006 Telemark Productions. All rights reserved. Written by J. Anne Helgren for Telemark Productions. |
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